Scottish Ballet's Autumn 2010 season was a double bill titled 'Geometry and Grace'. The season was billed as, "the perfect formula of pure dance; inspired by symmetry, space and geometry; performed with power and precision".

This concept inspired me to continue the idea of geometry throughout the programme with a grid-based layout designed to look and feel like graph paper.
The underlying grid.
One piece was inspired by the flight of birds: I used costume design illustrations superimposed over curving gridlines to represent flight paths.
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